Thursday, May 28, 2015

A Poem by Ralph Monday


That Vortex Vibe

The guy ran a better deal than
Barnum and Bailey.
It was once upon a time
stuff when we first met.
You know the deal
girls:
Flowers and chocolate,
long soul-bearing walks
in the woods,
sex like the opening scene
of a porno classic.
Then you were Marilyn Chambers
before Behind the Green Door,
still the Ivory soap girl,
Snow White, not Mary Magdalene,
beauty before he became the beast.
You got sucked in--like we all do--
into his black vortex.
You became his child, a stupid toy
thing, mannequin that he dressed at
will.  He controlled everything:
money, perspective,
made you feel dumb for not realizing
his genius, how right he was, how
wrong you were,
trophy on the mantle,
you started wondering what was
wrong with you, didn't you?
You wrote long texts explaining
how you feel,
that he ignored.
You did everything he asked
in an attempt to please.
All in vain.
He found another supply,
didn't he?
Left you spinning in
the hole.
Don't worry.
He'll be back.



Ralph Monday is Associate Professor of English at Roane State Community College in Harriman, TN, and published in over 50 journals.  A chapbook, All American Girl and Other Poems, was published in July 2014.  A book, Lost Houses and American Renditions, is scheduled for publication, May 2015 by Aldrich Press.





Monday, May 25, 2015

Three Poems by S. Black


her song

i am found hiding
with her song
the breaking dawn
highlighting
the latest colour
of her hair
and the sacred places
where the love
used to begin

maybe just maybe
time hasn't wasted its time on us

she farts again
i can't take it anymore



the new girlfriend

i heard it said
she wasn't all bad
and it is funny
in this light
there is a resemblance
but in another
she reminds me of her
in that wedding photo
the one they found
on the path
that follows the river



total recall

i burned all memory
there was nothing left
last night
2:30 a.m.
in the 24-hour supermarket
i saw a woman
she looked
nothing like her
it was uncanny



S. Black has been mining for a heart of gold since 1967, and lives in the UK.  Other writing may be found at the likes of Clutching at Straws, Gutter Eloquence, Red Fex, Tanka Undertow, and Deadsnakes.











S. Black - Mining for a heart of gold since 1967, lives in the UK. Other writing may be found at the likes of Clutching at Straws, Gutter Eloquence, Red Fez, Tanka Undertow and Deadsnakes.

Thursday, May 7, 2015

A Poem by Mercedes Webb-Pullman


13 uses for love

I love seeing cities
in rear view
mirrors

and your morning smile opening
even before your eyes.

I'm moved by
the second movement;
I'm sure the cellist
will prove a good investment.

Grace today--
every traffic light
from the fire station to Oriental Bay
past the railway station
to the biscuit tin
turned green for me--
I felt like
President Kennedy.

I really admire your work
with the Palestinian Zapatistas

and I adore garlic prawns
cooked tails on, the Spanish way
soaking up olive oil
and crunchy bits of garlic and chili
with chunks of bread
and a cold pinot gris

I'm amazed at what you've done
with the bathroom, so original,

amusing and flippant
like Frank Zappa's music.

I'm hot for cool
blue clarinets

and passionate about
pomegranates and
potassium.

I dissolve in Courtney
square hole Love
's music but not in her acting.

Somehow it's satisfying
that the Fairlane is longer
than the house is wide

and I'm happy that
Butch Cassidy
thought of going
to Australia
just before
he died.



Mercedes Webb-Pullman graduated from IIML Victoria University Wellington with MA in Creative Writing in 2011.  Her poems and the odd short story have appeared online, in print and in her books Food 4 Thought, Numeralla Dreaming, After the Danse, Ono, Looking for Kerouac, Tasseography, Bravo Charlie Foxtrot and Collected Poems 2008-2014.  She lives on the Kapiti Coast, New Zealand.




Tuesday, May 5, 2015

A Poem by Karen Sylvia Rockwell


remembering love

remembering love    in flashes    as i move through traffic   //   i see your hands on the wheel    poised    as they were then   //   you turn towards me   and i see your face   smiling lovingly   as it did then   //   the light turns green   i accelerate   with a smile   remembering

melancholy seeps in slowly   as Little Texas and i   fill the air   with laments about   what might have been   and i recall   what used to be   //   turning left along Sunset    i study forms   with backpacks   slung casually over one shoulder   never finding you

my heart yearns   as my head rebels   offering every explanation   for why it is   all in the past   and why   it should remain that way   //  they both agree    that alone   is better    for always   says my head   with our memories   whispers my heart

bittersweet resignation   accompanies me along the drive   as the wipers   clear drizzle   from the pain   //   intermittently   //   interrupting   //   remembering



After her Ma passed away in 2008, Karen Sylvia Rockwell became fierce about writing, diving into workshops and readings.  She is celebrating the recognition her work is receiving, including being awarded 1st Place in Room Magazine's 2013 Poetry Contest.  Karen's work is featured in Room, Deep Water Literary Journal, The Saving Bannister, OffSIDE, Cranberry Tree Press's Happenstance, Ascent Aspirations' 2014 Bizarre Anthology, Womanspirit's In Our Own Voice, Vanessa Shields' Poetry ON Demand, vol. 2, and several anthologies of The Ontario Poetry Society and of Polar Expressions Publishing.  Karen lives in Belle River Ontario.




Thursday, April 23, 2015

Three Poems by Alan Catlin


Making Love to Russian Music

"mantra-no one has been hurt,
no one has been killed"
                    -- C.D. Wright

"Asperity" he said,
the word stuck
between them as
they lay, not talking,
side by side on the bed,
naked as the lovers
they once were,
"Asperity contains us-
a bitter fruit of longing,"
he said, staring at
the cracked ceiling,
flecks of light on
the painted dark,
listening to the clock radio,
"An aching distilled from silence"
lying still as false hopes of elation,
joy, amassing as a passion,
drawn and quartered into
blunted notes, the mute
terror of their sudden
embracing, a fourth movement
of the Pathetique, their distressed
flesh swept together, prone above
a shattered bank.



The Edge

"Her bare

Feet seem to be saying:
We have come so far it is over."

                      -- Sylvia Plath

Lovers traced the white scars
on her body but knew better than
to ask how she acquired them.
Discarded torn black t-shirt
spelled her life to date in red
letters, "Born Poor and Brought
Up Hard."  If she had been pretty
once it had been beaten out of her
by professionals, masters of hurt
with broken knuckles and whipsaw
tongues they used on naked flesh
like razor blades to open wounds
they would not allow to heal.
Escape was a possibility she was
never allowed to entertain,
became a wildness in her that she
would learn to express with broken beer
bottles and homemade shivs that
found homes in vital organs inflicting
fatal wounds in those who had done
her harm.  On the street, years later,
the wildness in her remained,
as a wicked passion, insatiable and
expressive as pain, as violet as white
lightning in a cracking-along-the-edges
jars waiting to be partaken of, to be sipped,
where lips and fire meet.



Living the Dream

After Power Point presentation
in hotel lounge playing the macho
fool for the ladies, wedding ring impression
clearly visible to all who care to look,
jejune banter endless fascinating to
the all night, pay-as-you-go girls,
for whom all pick up lines are as fresh
as yesterday's beside-the-road-kill.
A couple of intimate drinks in low light
lounge, she looks like a goddess in
high heels, ready to rock and roll with
room service libations and pay per view
porn, so willing and available no price
mentioned or discussed, he thinks he is
the luckiest of God's creatures scoring big
on good looks and charm, one night away
from heaven on a half-shell, though his reality
has a stomach pump in it, an overdose
administered while he is in the head,
room ransacked by professionals, anything
of value long gone, not even the lingering
scent of hundred dollar an ounce perfume
left behind.



Alan Catlin has published over fifty chapbooks and full length books of poetry.  His next chapbook is Beautiful Mutants from Night Ballet Press.




Tuesday, April 21, 2015

A Poem by Ken L. Jones


Shadows Grown in a Nursery

The music of autumn is a stag's head full of slumber
Creeping like a weird Dutch Ferris wheel
That makes King Kong do your bidding
Even as the rib cage of a harmonica
Leads us to a honeyed atonement
That is blinding orange in its brightness
Oh Kathy I still remember the thrill
Of touching your skin which would never be mine
And how that made a pirate of me
Taking what I willed of an island divine
And even now that I've tasted more permanent delights
In the dark with Miss Donna who is forever mine
Still the echoes of what we once had torment me
And reverberate throughout my memories
Wish such a force that they smite, oh how they smite.



For the past thirty-five years Ken L. Jones has been a professionally published author who has done everything from writing Donald Duck Comic books to creating things for Freddy Krueger to say in some of his movies.  In the last six years he has concentrated on his lifelong ambition of becoming a published poet and he has published widely in all genres of that discipline in books, online, in chapbooks and in several solo collections of poetry.  

Saturday, April 18, 2015

Two Poems by Nina Bennett


After He Leaves

I pull the sheets taut,
straighten the down comforter,
settle into the center of what is,
once again, my bed.



Fantasy Island

She spends the weekend emptying
her dresser, nightstand, bookcase, her
drawers from the shared desk.  No place
now to store legal papers, courtesy
copy of his divorce petition, list
of premarital property that in two days
he will remove.
Earrings, hand lotion, lipstick
jumbled in boxes retrieved from the attic,
clothes in piles on the pale green rug
she chose for serenity, books stacked
in towers like the ones her granddaughter
builds with brightly colored wooden blocks.
The highest setting
on the vacuum cleaner can't pull up
the four circles where thick legs
of the antique oak table settled
for nineteen years.
She covers the crushed
carpet with turrets of books,
traces the faint outline of the absent
Oriental rug with walls of boxes.
While he plays house on fantasy
island, she climbs over a palisade
of sweaters, sits inside
her cardboard castle, watches
news of a commuter plane crash
near Buffalo, fifty dead,
possible pilot error.  She clutches
a stuffed dragon bought on a birthday
trip to London, wonders if it's feasible
to emerge from the wreckage intact.




Delaware native Nina Bennett is the author of Sound Effects (2013, Broadkill Press Key Poetry Series chapbook #4).  Her poetry has appeared in numerous journals and anthologies such as Kansas City Voices, Big River Poetry Review, Shark Reef, Bryant Literary Review, Yale Journal for Humanities in Medicine, Philadelphia Stories, and The Broadkill Review.  Nina was a 2012 Best of the Net nominee.